Six Degrees of Sauerkraut -- Part XXIII: How New Age Killed the Glimmerlight

The onslaught of New Age caught us all by surprise. Imagine, The Nothing which destroyed fantasia despite Atreyu's best efforts. Well, they had told us this had all happened before, and that it would all happen again, but we didn't believe them. We lounged by the deep blue pools in the glimmerlight, or drove our Light Cycles around on lazy Sunday afternoons, never knowing the darkness that was coming.

When, in the mid-80s, Sky Records began to advertise our musik as New Age, we knew this was the beginning of the end. Android synthesists were actually passing the Voight-Kampff test, leaving the glimmerlight, and touring with Yanni! Former replicants such as Ralf Tohde, Bernd Scholl and, to our great dismay, Dieter Schütz, were leaving us. The musik was still ghostly, mechanized, and blue, but it was packaged in a manner that we knew would dry up all the electric streams within the decade.

No one grieved the destruction more than Roedelius. He brought his synth down to the river and wrote the great lament of the glimmerlight, "Schöner Abend." This track reflected on the evening of the glimmerlight; the beautiful evening.

Soon, we would all depart for Silberland, where we would recreate the glimmerlight with the aid of Wolfgang's ghost. But Roedelius' melody is a testament to those Düsseldorf nights. Check it out by clicking on the title of this post.

Droids in the Glimmerlight

Occasionally foreigners would join us in the glimmerlight, Bowie, Eno & Iggy being some of our more well known guests. They would plug in, and we would take it from there. What many boxers may not know is that we had some French guests in the heyday as well; a sweet group of guys who loved chocolate and wanted to be machines. They called themselves Droids, and in '78, on Riechmann's offworld colony, they made an album called Star Peace. 

The album has some sick Oberheim, and consistently wunderbar songs. It really brings it all back home. Check out my favorite track, "(Do You Have) The Force -- Part I"  by clicking on the title of this post.

Do you have the force?

Six Degrees of Sauerkraut -- Part II: Himmelblau

Wolfgang Riechmann was originally a member of Streetmark, as I mentioned yesterday, they were Germany's Fleetwood Mac (or Go-Betweens, who were Australia's Fleetwood Mac). Anyway, while the resident synthesist in Streetmark, Wolfgang fell for lead singer Dorothea Raukes. When Dorothea left Wolfgang for Michael Rother, Riechmann left Streetmark and went solo. Inspired by fellow synthesists Kraftwerk, he took to wearing make-up and emulating a PKD android, although his color-palette reflected the state of his heart. Ridley Scott took notice, and modeled much of the Blade Runner aesthetic on Riechmann's image.

Riechmann also made a Krautrock classic Wunderbar. And the record really lives up to its name; kind of a lost classic of the genre.

Sadly, just before the LP came out in 1978, Riechmann was murdered in a Düsseldorf dive bar by two sailors. "Himmelblau" (Sky Blue) is one of the highlights of Riechmann's lone solo LP. Click on the title to enjoy this small slice of heaven. 

Dieser ist für Sie Wolfgang! Ich hoffe, Sie sing glücklich dort.

Six Degrees of Sauerkraut -- Part I: Flammende Herzen

This is the first post in a series that will document the life and times of many of your favorite Krautrock stars. Those days and nights in Düsseldorf, and beyond, were full of fun and drama, and I thought it might be nice to share some of my memories. Many of these damen und herren were interconnected in many ways, and I hope to document some of that during the Six Degrees of Sauerkraut saga.

I thought I'd begin with Michael Rother, or as he liked to think of himself "Flammende Herzen." In English that means "Blazing Heart." As you may have guessed, Michael was Krautrock's ladies man. He thought quite highly of himself, as did the ladies (and a number of men as fate would have it). Indeed, I remember one night in 1977; we were all out, dancing in the glimmerlight of a club on Düsseldorf's eastside. That night, Michael basically stole Dorothea Raukes from Wolfgang Riechmann. Dorothea and Wolfgang were members of Streetmark, West Germany's Fleetwood Mac. Plenty of interband hook-ups and what not. Anyway, Dorothea took one look at Blazing Heart and that was the end of her and Wolfgang. 

Wolfgang took to wearing icy makeup, dressing in tight suits, and acting like he was a robot. Indeed, Blade Runner was influenced by this new style Wolfgang developed in response to his heartbreak over losing Dorothea. This would happen to Dorothea as well when she and Blazing Heart broke up, and she subsequently formed the legendary Krautrock band, Deutsche Wertarbeit. But, these are tales for another time.

Anyway, Rother made my favorite music of the whole Krautrock era. Excellent for experimenting with JJ-180, Can-D and what have you. And it is always easier to commune with the Vast Active Living Intelligence System ("Valis") while listening to Rother's Katzenmusik, which every true Krautrocker should own.

Try some Blazing Heart for yourself, Rother's "KM 12" from Katzenmusik, by clicking on the title of this post! This song quite literally took me to the stars one night. 

Krautrock für immer!